Monday, 28 February 2011

In praise of...

In metal circles it seems popular to slag off Metallica for:
  • "selling out" - no, I don't know what it means either.
  • releasing Load and Reload which a lot of fans didn't like - not me, I liked them very much...Bleeding Me off Load is absolutely one of Metallica's finest tracks.
  • making the St.Anger album and accompanying movie "Some Kind of Monster".
  • the crusade against Napster.
  • simply not being as good as they once were.
All of the above may or may not be valid. But to me, a band that did Ride The Lightning and Master of Puppets is entitled to do whatever the fuck they like and follow whatever path they choose.

I was listening to RTL and MOP on headphones last night. Probably the first time I've listened to them all the way through for two or three years.

Hetfield was still only 20 when RTL came out, Hammett was 21. They produced music that changed metal forever.

Without Ride The Lightning and Master of Puppets there wouldn't have been...well, almost every metal band that has ever been since.

Something to bear in mind.

Friday, 25 February 2011

Oceansize are no more

Just heard the news that Oceansize has split up. I know they are just a bunch of guys in a band and that its not the end of the world...but it feels like it.

I got into them six years ago and over the course of four albums and a bunch of gigs they have been quite simply the greatest British rock band and a band that were special to me in a way that only a select group of bands, or possibly a select group of bands, has been.

It would not be appropriate to say that I am inconsolable but this has sure ruined my weekend.

Friday, 11 February 2011

In Mourning "Monolith"

Monolith sounds a good metal name, doesn't it? Well, I'm here to tell you that the album Monolith by In Mourning, a Swedish band pretty new to me, is as good a metal album as I have heard since...the last really good metal album I raved about.

If you like Opeth, and what right-thinking person would not, then you will love In Mourning. Its both brutal and beautiful, melodic and monstrous, and epic, without just being Opeth.

What is it about Swedish bands? Opeth, Meshuggah, Soilwork, Amon Amarth et al. And now In Mourning must be added to the list.

Go out and buy...okay, stay in and click a couple of buttons on Amazon...and buy Monolith immediately. Then, like me, you'll have to try and get a copy of their first album Shrouded Divine, which I listened to on we7 and it sounds equally magnificent.

Then all we have to do is convince the band to come and play in the UK.

Thursday, 20 January 2011

Songs you don't like by bands you love

I love Oceansize. That is no surprise to anyone who knows me or anyone who has read previous blogs. I mean, I really love Oceansize. But still I don't much like the first track on their most recent, otherwise marvellous, album 'Self Preserved While The Bodies Float Up'. And there's a track* on their last album that, while I wouldn't go so far as to say I hate it, it does kinda rub me up the wrong way.

So I started thinking about other tracks I don't like by bands I love. Rush are my favourite band and have been for thirty years. I love all their albums - as anyone should - but I've never much cared for "Red Lenses" off Grace Under Pressure (1984) or "Scars" off Presto (1989). Which is fine. Two tracks from over twenty albums is pretty good going, although even then I still feel a little guilty.

Blue Oyster Cult have always been in my top 3, but there's a track called "Debbie Denise" on 'Agents of Fortune' (1976) (otherwise known as the album that's got "Don't Fear The Reaper" on) that is pretty ordinary. Likewise, half the tracks on Club Ninja, but that's a pretty poor album anyway.

So now I'm gonna go off and find other tracks by some of my fave bands. And play those songs. And probably not dislike them as much.

* " An old friend of the Christy's" off 'Frames'

Tuesday, 9 November 2010

Screaming and shouting

Obviously as a long-standing metal fan I've got no problem with bands shouting and screaming their heads off, although it did take me a while before I could accept the cookie monster vocals adopted by a lot of modern bands. But I notice a lot of new, young bands are virtually screeching, all the time, and I wonder the value of it. I guess they don't care whether they appeal to a 49-year-old like me but given the youth of some of these bands it does make me think they do it just to piss off their parents. That's a bit glib, I admit.

Take a band like Architects. I've listened to some of their stuff and musically its pretty fine. Lively, heavy, interesting, but the vocals, apart from a short bit on one of the tracks I checked out, were just shouting relentlessly and I couldn't help wonder how much more interesting I might find them if there was a bit more light and shade. After all, I didn't initially listen to Opeth because I thought they were cookie monster vocals the whole time. It wasn't til I realised they alternated between cookie monster and clean that I bothered to check them out. And what a life-changing moment that was!

Anyhoo, you've probably got your own ideas about screamo, or whatever we're supposed to call it these days, but go and check out Architects if you haven't already done so: http://www.myspace.com/architectsuk

And you might as well check out Rolo Tomassi (http://www.myspace.com/rolotomassi) too.  Oceansize like them, and frankly that's good enough for me.

Friday, 5 November 2010

Indukti

Just a quickie 'cos its past my bedtime. In the past few weeks I have been listening to the two albums by Indukti, a Polish prog metal band. Both albums, S.U.S.A.R. and Idmen, are simply splendid and if you've any interest in this genre, if you've any interest in the likes of Tool, Porcupine Tree, Oceansize (which of course you should have) then do your darndest to get hold of them.

Sunday, 31 October 2010

Trick or Treat…an epiphany

I don’t remember what we used to do on Halloween when I was a kid growing up in the 60s and 70s but I dare say I enjoyed it to some extent. Now, as an adult and a parent, I can, at best, take it or leave it.
Trick or Treat, however, is a whole different ball game.
For the last 15 years or so I have loathed the 31st October. For a number of years on this date I have, like a whole bunch of people I’m sure, sat at home in the dark with the TV off, whilst hordes of kids have banged on the front door ready to issue their demands. As I was obviously not going to say trick and, being a bloke, I had never got round to buying any sweets, I didn’t really have an option.
But this year, while epiphany may be stretching it somewhat, I have experienced a paradigm shift, to use modern business parlance.
My son Evan, 6 next month, has been quivering with anticipation about Halloween for the last couple of weeks and positively apoplectic with excitement since the 29th when I came home to find the lounge decorated like a witch's grotto - pumpkin lights on the front window, a giant spider attached to the ceiling, and a torch shining a ghostly silhouette on the wall.
Halloween fell on a Sunday this year and the whole day was one long build up to 6pm which is when we went out Trick or Treating.
We began, unsurprisingly enough, with our nearest neighbours who, contrary to modern perception, we do know and get on perfectly well with. Heck, we’ve even been round to dinner a couple of times and our cat, Cash, regularly makes himself at home on the divan in their conservatory. They had also been primed for our visit so we were off to a good start.
We moved on up our road, knocking on the doors of the people we knew to say hello to in the street and then on as far as those who we wouldn’t recognise if we were stuck in a lift with. Most were much more sociable than I expected, though a couple of houses remained in darkness with no sign of life inside. To be fair, maybe they were actually out.
Evan was well into his stride now, his pumpkin bucket filling up with all sorts of chews and choccy bars, some packets that I remembered from my own childhood and others I’d not heard of.  We both agreed that they all looked pretty yummy and Evan seemed delighted with his haul so far.
We ventured into unknown territory…the street round the corner. We knew no-one on this road, though we had walked up and down many times when Evan was smaller. One of the houses had a porch light that came on automatically when you were within 20 yards of the house. Evan used to love this and I recall many a time having to push his buggy backwards and forwards past the drive just to activate the light.
We picked some houses at random that we thought had potential. On one occasion the door was opened, somewhat tentatively I felt, by a middle-aged guy who peered out. “Trick or Treat” we cried in unison. In my case I was trying to both make the man comfortable and ensure a successful visit. The man smiled shyly.
“Oh, I’m a bachelor, I don’t have anything. Hang on.” He waddled off with a somewhat comical gait. Evan was about to pass comment but I cut him off quickly. After a minute the man waddled back and, looking pleased with himself, handed Evan a pound coin. It was all too obvious that Evan would have been happier with a bag of jelly tots but I made sure he expressed appropriate gratitude.
A little further on we came upon a house with the figure of a soldier for a door knocker. I lifted Evan up and he banged it fiercely. Almost immediately the door was opened by someone who was clearly an old soldier. He had a handlebar moustache and was dressed as if ready for a military function. His eyes twinkled as he pretended to be scared of Evan’s vampire regalia and then handed over a bunch of loose sweets that he’d neatly wrapped in a Halloween napkin.
A little further, by now about 300 or 400 yards from our home, we passed a house which had an array of Halloween decorations and a front door that was wide open. Standing out on their driveway the owners were swigging red wine while a number of vampires, ghouls and ghosts ran around them, in and out of the house, yelling and screaming and trying to scare the willies out of each other. The adults hailed us, beckoning us over, and Evan got a smorgasbord of candies to add to his bucket and I enjoyed a small glass of Pinot Noir.
We’d been out nearly an hour now so it was time to head home. As we strolled back, Evan carefully auditing his haul, I felt something about Trick or Treat that I would never have expected. Not only did I genuinely enjoy myself, which was miraculous in itself, I realised there were a lot of perfectly agreeable people virtually on our doorstep who we’d simply never had cause to meet before. Of all things, Trick or Treating had brought us together, albeit briefly.  
I felt heartened that these people existed when there had been so many times in the seven years we’ve lived here we had really not felt connected to the area or to any sense of community, but I also felt sad that I probably wouldn’t see them again, at least not until next Halloween. I wondered if it is socially acceptable to go round the next day and engage them further in conversation, or is that a step too far?